“TABLE FOR TWO? This way, Monsieur, Madame, there is still a table next to the window, if Madame and Monsieur would like a view of the bay.”
Alice followed the maitre d’.
“Oh, yes. Come on, Marc, it’ll be like having lunch on a boat on the
Her husband caught her by passing his arm under hers. “We’ll be more comfortable over there.”
“There? In the middle of all those people? I’d much
He tightened his grip in such a meaningful way that she turned around. “What’s the matter?”
“What is it, Marc?”
“I’ll tell you, darling. Let me order lunch first. Would you like the shrimp? Or the eggs in aspic?”
“Whatever you like, you know that.”
They smiled at one another, wasting the precious time of an over-worked maitre d’, stricken with a kind of nervous dance, who was standing next to them, perspiring.
“The shrimp,” said Marc. “Then the eggs and bacon. And the cold chicken with a romaine salad. Fromage blanc? The house specialty? We’ll go with the specialty. Two strong coffees. My chauffeur will be having lunch also, we’ll be leaving again at two o’clock. Some cider? No, I don’t trust
He sighed as if he had just moved an armoire, gazed at the colorless midday sea, at the pearly white sky, then at his wife, whom he found lovely in her little Mercury hat with its large, hanging veil.
“You’re looking well, darling. And all this blue water makes your eyes look green, imagine that! And you’ve put on weight since you’ve been
Her firm, round breasts rose proudly as she leaned over the table.
“Why did you keep me from taking that place next to the window?”
Marc Seguy never considered lying. “Because you were about to sit next to someone I know.”
“Someone I don’t know?”
She couldn’t think of anything to say and opened her blue eyes wider.
“So what, darling? It’ll happen again. It’s not important.”
The words came back to Alice and she asked, in order, the inevitable questions. “Did she see you? Could she see that you saw her? Will you point her out to me?”
“Don’t look now, please, she must be watching
“Yes I see.”
Hidden behind some broad-brimmed beach hats, Alice was able to look at the woman who, fifteen months ago, had still been her husband’s wife.
“Incompatibility,” Marc said. “Oh, I
The woman in white, whose smooth, lustrous hair reflected the light from the sea in azure patches, was smoking a cigarette with her eyes half closed. Alice turned back toward her husband, took some shrimp and butter, and ate calmly. After a moment’s silence she asked: “Why didn’t you ever tell me that she had blue eyes, too?”
“Well, I never thought about it!”
He kissed the hand she was extending toward the bread basket and she blushed with pleasure. Dusky and ample, she might have seemed somewhat coarse, but the changeable blue of her eyes and her wavy, golden hair made her look like a frail and sentimental blonde. She vowed overwhelming gratitude to her husband. Immodest without knowing it, everything about her bore the overly conspicuous marks of extreme happiness.
They ate and drank heartily, and each thought the other had forgotten the woman in white. Now and then, however, Alice laughed too loudly, and Marc was careful about his posture, holding his shoulders back, his head up. They waited quite a long time for their coffee, in silence. An incandescent river, the straggled reflection of the invisible sun overhead, shifted slowly across the sea and shone with a blinding brilliance.
“She’s still there, you know,” Alice whispered.
“Is she making you uncomfortable? Would you like to have coffee somewhere else?”
“No, not at all! She’s the one who must be uncomfortable! Besides, she doesn’t exactly seem to be having a wild time, if you could see
“I don’t have to. I know that look of hers.”
“Oh, was she like that?”
He exhaled his cigarette smoke through his nostrils and knitted his eyebrows. “Like that? No. To tell you honestly, she wasn’t happy with me.”
“Oh, really now!”
“The way you indulge me is so charming,
“She’s just difficult!”
Alice fanned herself irritably, and cast brief glances at the woman in white, who was smoking, her head resting against the back of the cane chair, her eyes closed with an air of satisfied lassitude.
Marc shrugged his shoulders modestly.
“That’s the right word,” he admitted. “What can you do? You have to feel sorry for people who are never satisfied. But we’re
She did not answer. She was looking furtively, and closely, at her husband’s face, ruddy and regular; at his thick hair, threaded here and there with white silk; at his short, well-cared-for hands; and doubtful for the first time, she asked herself, “What more did she want from him?”
And as they were leaving, while Marc was paying the bill and asking for the chauffeur and about the route, she kept looking, with envy and curiosity, at the woman in white, this dissatisfied, this difficult, this
The day Colette (1873-1954) died, the worst thunderstorm in sixty-seven years hit Paris. Her last conscious act was to gesture toward the lightning and cry out, “Look! Look!” The words suggest the essence of her genius.
At eighty-one Colette was a legendary figure. A Grand Officer of the Legion of Honor, president of the Goncourt Academy, she would, to crown her career, receive a state funeral—unexampled honors for a French woman. A veteran of three marriages (the last a happy one), music hall performer, journalist, autobiographer, novelist, short story writer, deeply versed in the natural world of plants, flowers and animals, a connoisseur of more than a single variety of love, in the best sense a woman of the world, she ranked as one of the most vivid personalities of her time. During the final years of a long, crowded life, unable to stir from her Palais-Royal apartment, she reigned, surrounded by her beloved cats, as an object of wonder and pilgrimage.
Few have treated more revealingly at least one great theme, that of sexual love. She was most comfortable with the novella (Chéri, La Fin de Chéri, Gigi, Mitsou), but she excelled also in a kind of post-Maupassant short story, tender, sensual, witty, completely French, completely feminine.
“The Other Wife” is a deft, wry trifle, a small triumph of observation (“Look! Look!”). As with an O. Henry story, everything erupts in the last few words, indeed in the very last word. But her sensibility works on a plane quite different from his.