(Currently under construction and expansion; many more files to be added whenever I get around to it.)
“Cinema is not the reflection of reality, but the reality of the reflection.”
—Jean-Luc Godard
"....When I was a little younger, there was another journey I wanted to make. It was a religious one; I wanted to be a priest. However, I soon realized that my real vocation, my real calling, was the movies. I didn't really see a conflict between the church and the movies, the sacred and the profane. Obviously, there are major differences, but I could also see great similarities between a church and a movie house. Both are places for people to come together and share a common experience. And I believe there's a spirituality in films, even if it's not one which can supplant faith. I find that over the years many films address themselves to the spiritual side of man's nature, from Griffith's film "Intolerance" to John Ford's "The Grapes of Wrath" to Hitchcock's "Vertigo" to Kubrick's "2001," and so many more. It's as if movies answered an ancient quest for the common unconscious that fulfilled a spiritual need that people have to share a common memory."
—Martin Scorsese, from the 1995 British Film Institute documentary "A Personal Journey with Martin Scorsese Through American Movies"
THE ACADEMY AWARDS, 1927–2008
A reference listing of past Academy Awards (“Oscars”) given for Best Picture, Actor, Actress, Director, and Foreign Film.
REFLECTIONS AFTER 25 YEARS AT THE MOVIES — Roger Ebert
A wonderful look back at his 25 years of reviewing movies as he ponders the meaning of it all. (Ebert is one of the few movie critics worth paying attention to, the others being Pauline Kael, Judith Crist, Janet Maslin, Stanley Kaufmann, James Berardinelli, Richard Corliss and Richard Schickel.)
THE 10 GREATEST FILMS OF ALL TIME — Roger Ebert
His choices for the greatest movies, and why he chose them.
GREATEST MOVIES / FAVORITE MOVIES — Zimmerman Skyrat
Looking for a good movie to watch? Move over, Roger Ebert. You might find something here; my list of the greatest movies ever made, and my favorite movies (they’re different).
GREAT MOVIE MOMENTS — Zimmerman Skyrat
A selection of favorite “Great Movie Moments in Film History;” memorable moments from movies that stay with you forever.
ANAMORPHIC DVDs — Bill Hunt
“Pan & Scan,” “Letterboxed,” “Anamorphic,” and other terms are explained, and why some DVD players (owned by people who never read instructions) make everyone look so thin.
2-3 PULLDOWN — Jim Taylor
A technical but interesting and essential explanation of how your DVD player shows a film shot at the normal 24 frames per second on your television’s 60hz display (60 fields, or 30 frames, per second).
MY DEFENSE OF FILM CRITICISM — James Kendrick
The task of reviewing a movie is not as simple as many people probably think it is. A good review involves much more than watching the movie, jotting down the plot outline, and giving it a ‘star’ rating.
CRITICS’ VOICES BECOME A WHISPER — Patrick Goldstein
The loss of influence of old-style print media film critics can no longer be ignored. With the rise of the Internet and universal instant communication, other factors have come to have more influence on the public’s choice of movies. There is a good side—and a bad side—to this change.
LIGHTS, CAMERA, ACTION — Lee Siegel
Some short comments on the craft of acting, which is usually passed over in film reviews that concentrate on believability of plot, direction, special effects, etc.
FRANÇOIS TRUFFAUT — Hal Erickson
A brief biography of the famed French film director.
21 GRAMS — Peter Travers / J. Hoberman / Andrew O’Hehir
2046 — Michael Atkinson / Richard Corliss
BREATHLESS — Jana Kraus
CINEMA PARADISO — James Berardinelli / Glenn Erickson
CRIES AND WHISPERS — David Ng
CRIMES AND MISDEMEANORS — Roger Ebert
ETERNAL SUNSHINE OF THE SPOTLESS MIND — David Edelstein / James Bowman
GIRL ON THE BRIDGE — Michael Dequina / Max Messier
GIRL WITH A PEARL EARRING — Zimmerman Skyrat
HENRY FOOL — Janet Maslin
THE LAST SAMURAI — Zimmerman Skyrat
MAP OF THE HUMAN HEART — Hal Hinson
MASKED AND ANONYMOUS — Ron Rosenbaum
MULHOLLAND DR. — Blake French / Roger Ebert
PERSONA — Howard Schumann / Acquarello / Tony Pellum
PLEASANTVILLE — Chris Bolton
A TALE OF SPRINGTIME — DB from CT 3
THE UMBRELLAS OF CHERBOURG — Zimmerman Skyrat
UN COEUR UN HIVER — Jurgen Fauth
WHAT HAPPENED WAS... — Desson Howe / James Berardinelli / Vanilla-2